C-WALK

Geti t because they're CRIPpled lmao hehe| Hospital stuff. It's open!

Here is where all threads set in the month after the game belong. This is the place to post your character's individual epilogues or interactions. Handlers with a surviving character may have one active aftermath thread in addition to other threads. Make sure to read the Supers Denouement before posting here!

Moderator: SOTF Supers Staff

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ItzToxie
Posts: 1259
Joined: Mon May 27, 2019 2:48 pm

#16

Post by ItzToxie »

"I..."


"I dunno. Just screwed one way or another, I guess."


" I mean, even if things went a little better, and I didn't get stuck with every psycho motherfucker in the class, If I followed y'all or like- really did anything different."

Bandaged hands pointed to a bandaged face.


"Still stuck with this shit."
Catche thinks my squirrel is Fisk so here's my daily reminder that he is not.
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Carrion Queen
Posts: 427
Joined: Tue Aug 14, 2018 6:35 am

#17

Post by Carrion Queen »

((Ximena continued from A Hospital Bed ))

Ximena opened her eyes and grinned.

It soon became evident that she was not alone in the room, and that whoever she was with was mid-conversation. As she processed the content of the discussion and the tone of voice, she recognized who it was.

"Even when, even when we were there, nobody listened to me. Alan was there, he saw the shit that happened, and he still didn't believe me..."

The grin melted into a neutral expression and then further into a frown. Near her, a heart monitor displayed her vitals. The number began to steadily climb upwards, flashing red.

Her eyes narrowed and she sat up, sliding the IV tube out of her arm with a deep breath. She then ripped the monitor attachment off and it displayed all zeros.

Ximena stood up out of her bed, her bare feet against the cold linoleum floor. She seemed to be wearing some kind of plain t-shirt and sweats. Bandages covered the left side of her jaw and her forehead.

"You just --" her voice cracked and she cleared her throat. "You just sit there and you fucking lie?" she hissed, feeling her heart pound in her chest. She grabbed hold of the door frame behind her to steady herself. "Alan -- he -- he told me. You wanted revenge. He didn't wanna help you kill yourself, you fuck."

Ximena's hands began to glow slightly, though one was partly obscured by the bandages around it. He had the nerve to whine after she and Stephen decided to take him with them only because Alan asked them to; he put his own life on the line to get them to agree. She could kill Crispin. She could kill him right now, and it would look like an accident. Just a little time to the brain or the heart and they'd think it was an aneurysm or a heart attack. No one would ever have to know.

Thoughts of post-game murder were interrupted by a hand on her shoulder that pulled her out of the room.

"Stephen," she said, face to face with Bones. Her heart rate went down and she seemed to think better than doing something rash, as well as remember something she needed to talk to him about.

Well, she needed to talk to him and they both needed to eat something besides flavorless mush.

((Ximena continued in you nearly die and all you get's a Olive Garden))
[+] May you find that which shines and learn the power of miracles.

The only thing I've ever been proud of was describing the setting sun as "daylight's falling star" in a recent Supers post.

Supers
Ximena Rodriguez: "Everything is just a matter of time."
International
Soraya Martinez: "Need a translator? I'm pretty good."
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ItzToxie
Posts: 1259
Joined: Mon May 27, 2019 2:48 pm

#18

Post by ItzToxie »

"Bitch the fuck?!"

Crispin sat up, though his bed ridden vertigo made him dizzy. He could understand someone getting mad about him. Happened a million times before. Wouldn't be the last time either. But she had the fucking audacity to call him a fucking liar? "You fuckin' serious?"


"You weren't fuckin' there, you don't know shit! After Moose died, he said we was done, that was it. He went his way, I stayed and buried Moose, he tell you that part, or did he not come back and even check?! I did a lot of bad shit, but I ain't fuckin' lied! This the shit I always fuckin' dealed with! You motherfuckers always talking about shit you don't know! You jump in shit that don't invol-"


"Yeah, fuck outta here! Fuck out my face, bitch! Call me a motherfuckin' liar, bitch you don't know shit!" He threw his pillow at the door and lied on his bed, hands shaking. He lied there, millions of words coming through his head, that urge to go apeshit that he picked up in the desert hadn't left.



"This fuckin' shit right here. Motherfuckers always jump in, always talking shit coz they think they know shit when they don't know shit at all. Fuckin' hate my ass but they all want to be my ass coz they know about what I been through and what I had to do more than I do. Fuck 'em."

The George Lopez show continued.

"Man shut the fuck up." Crispy pressed the mute button on the remote.


"I wish one of these motherfuckers would go through what I did. Let them see how easy that shit is."
Catche thinks my squirrel is Fisk so here's my daily reminder that he is not.
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Kermit
Posts: 1017
Joined: Wed Aug 08, 2018 5:26 pm

#19

Post by Kermit »

((Astrid rolled over in her hospital bed.))

"Actually, I also killed four people." She mumbled quietly.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [We all, we all, we all, we all know this is nothing. This is nowhere. We all, we all, we all, we all know this is nowhere. There is no one here.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
ItzToxie
Posts: 1259
Joined: Mon May 27, 2019 2:48 pm

#20

Post by ItzToxie »

"-Don't even know why I fuckin' bother anymore..."
Catche thinks my squirrel is Fisk so here's my daily reminder that he is not.
User avatar
Kermit
Posts: 1017
Joined: Wed Aug 08, 2018 5:26 pm

#21

Post by Kermit »

"I meant I killed three people."

Astrid yawned a very constricted yawn.

"But anyways, I don't care about any of this. You people woke me up. I have no stakes in this, I have no loyalties, I don't know what the story is. It's irrelevant and I'm not trying to fight you." She mumbled, rubbing her eyes. "But... just some advice for dealing with the court of public opinion, because we're probably both gonna have to do that: People who are mad at you won't ever think about starting to consider your side of the story when you scream it at them while throwing shit across the room."
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [We all, we all, we all, we all know this is nothing. This is nowhere. We all, we all, we all, we all know this is nowhere. There is no one here.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
ItzToxie
Posts: 1259
Joined: Mon May 27, 2019 2:48 pm

#22

Post by ItzToxie »

“They ain’t gonna do it anyways…”


Crispin got out of bed, grabbed his pillow. Flopped back into bed.


“If I was as bad as everyone said I was, I’d have been the last one standing anyways.”




“Ion’t give a fuck.”
Catche thinks my squirrel is Fisk so here's my daily reminder that he is not.
User avatar
Salic
Posts: 340
Joined: Sat Nov 20, 2021 6:23 pm
Location: salt lick in Ethiopia
Contact:

#23

Post by Salic »

Claudia had already given up on speaking a little bit before the whole argument. Everything hurt too much to continue.

((God, she needed morphine so fucking badly.))
[+] PRESENT
SECOND CHANCES V3
Mikki Swift - "With the past, I have nothing to do; nor with the future. I live now." - Ralph Waldo Emerson
Bree Jones - "The important thing is not what they think of me, but what I think of them." - Queen Victoria
Serena Waters - "You cannot make a revolution in white gloves." - Vladimir Lenin
[+] PAST
BATTLE ROYALE AU V2:
[ERROR: RELATIONSHIP THREAD UNAVAILABLE.]
[ERROR: APPEARANCE TRACKER UNAVAILABLE.]
B1: Yoshio Akamatsu - "Yesterday is not ours to recover, but tomorrow is ours to win or lose.” - Lyndon B. Johnson
Assigned Weapon: Sickle
Status: DECEASED
Location: The die was cast in Farm Storage (H6) - Iacta Alea Est
Pregame History: 1
In-Game History: 1 - 2 - 3 - 4

BATTLE ROYALE AU V2:
[ERROR: RELATIONSHIP THREAD UNAVAILABLE.]
[ERROR: APPEARANCE TRACKER UNAVAILABLE.]
B7: Yoshitoki Kuninobu - "When the sword of rebellion is drawn, the sheath must be thrown away." - John Copley
Assigned Weapon: Czechoslovakian CZ 75 Semi-Automatic Pistol
Status: DECEASED
Location: He took the fall for an enemy in Residential Area (H/I8) - Peace Village: Brother's Blood
Pregame History: 1
In-Game History: 1 - 2 -
3


SOTF-SUPERS V1:
Relationship Thread
Appearance Tracker
S027: Claudia Salgado - "The optimist may fail, but the pessimist already begins failing." - Juscelino Kubitschek
Assigned Weapon: [ERROR: WEAPON UNAVAILABLE.]
Gift: Flashbang
Status: ALIVE
Location: She stared death in the face in The Outskirts - Out Run
Pregame History: 1 - 2
In-Game History: 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10

SOTF-U V1:
Relationship Thread
[ERROR: APPEARANCE TRACKER UNAVAILABLE.]
P003: Elizabeth Rodney - ”I demolish my bridges behind me... then there is no choice but to move forward.” - Fridtjof Nansen
Assigned Weapon: Obedience to Authority + Altor Survival Pistol
Status: ALIVE
Location: She met up with her beloveds in The Powerhouse - Burning Down the House
Pregame History: 1 - 2 - 3 - 4 - 5
In-game History: 1
[+] FUTURE
SOTF-TV V4:
Christian Graf von Helder - “I’ll be a big noise with all the big boys!” - Peter Gabriel
Francisco Ordaz Santander - ”I am responsible only to God and history.” - Francisco Franco

INTERMISSIONS:
Sophia Mirowski - "Be strong in the belief that life is wonderful." - Valery Sablin
Lee Iker
Stanley Mirowski - "He who fights monsters should see to it that he himself does not become a monster." - Friedrich Nietzsche

SOTF-SUPERS V2:
Kendra Kuchel - ”If we value so highly the dignity of life, how can we not also value the dignity of death? No death may be called futile.” - Yukio Mishima
Nichelle Damen - ”All our knowledge- past, present, and future- is nothing compared to what we will never know.” - Konstantin Tsiolkovsky

SOTF-INTERNATIONAL V2:
Kazimierz Krzyzewski - ”At dawn it is not just the night that dies, it is man and his becoming, and the warm blood staining the pavement is a word that is just starting.” - Ricardo Mannerini
Raqel Poghosyan
User avatar
ItzToxie
Posts: 1259
Joined: Mon May 27, 2019 2:48 pm

#24

Post by ItzToxie »

((Crispin closed his eye. He was done with this.))
Catche thinks my squirrel is Fisk so here's my daily reminder that he is not.
User avatar
Kermit
Posts: 1017
Joined: Wed Aug 08, 2018 5:26 pm

#25

Post by Kermit »

"You probably wouldn't be the last one. I'd have shot you in the back before you even knew I was there." Astrid mumbled, a few seconds after Crispin had closed his eye.

((She rolled back over.))
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [We all, we all, we all, we all know this is nothing. This is nowhere. We all, we all, we all, we all know this is nowhere. There is no one here.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
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im losing my edge
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Carrion Queen
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Joined: Tue Aug 14, 2018 6:35 am

#26

Post by Carrion Queen »

((Ximena returned from Olive Garden ))

She was staring at the ceiling of the hospital and felt exhausted, but was unable to sleep. Limply, she tried to move her right hand, which could only slide up and down the length of the side of the bed. The handcuff rattled and clanked when she moved.

Ximena closed her eyes. The questioning had lasted a few hours. She had not committed any murder and had been present for two deaths, but this was not the bulk of the conversation. A fed was there along with police, and also one other guy who don’t talk. They were interested in how she got out, and at least an hour alone had been dedicated to what she saw when she came upon the car and the RV.

Ximena was told that she had stolen the animal gang’s car and may have been the last person to see the man dressed in black aside from whoever killed him.

Since she was the only one to have contact with the criminals after the start, some questions seemed designed to glean if she’d been secretly working with them. They apologized and said they had to ask such things.

“So you drove the car back?” asked one guy.

“I already said I did,” replied Ximena with her cheek on the table. She couldn’t hold her head up anymore and didn’t know what time it was.

“I had to,” she mumbled, only half aware of what she was saying anymore.

They escorted her back and handcuffed her to the bed, saying she wasn’t going to take anymore strolls outside the hospital. They also said her family had been told she was here.

“Cool,” she sighed, not particularly excited or expecting for all her immediate family to come.

Clank.
[+] May you find that which shines and learn the power of miracles.

The only thing I've ever been proud of was describing the setting sun as "daylight's falling star" in a recent Supers post.

Supers
Ximena Rodriguez: "Everything is just a matter of time."
International
Soraya Martinez: "Need a translator? I'm pretty good."
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Gundham
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Joined: Sun Jan 02, 2022 12:35 pm

#27

Post by Gundham »

((Cecilia had been sleeping unobtrusively elsewhere in the room. But it was hard to sleep when La Ardilla was shouting his lungs out.))

She rubbed her eyes and sat up. It seemed like a lot of people were awake still. If their interrogations had been even a fraction as hostile as Cecilia's had been, she didn't blame them at all for not being able to sleep. She'd barely been able to nod off herself. Being in a room full of murderers, right after you'd been told that you were a criminal and you were going to be in so, so much trouble for things you hadn't done on purpose or hadn't known you weren't allowed to do, had a way of doing that to you.

When she'd gotten back from the interrogation, she'd been afraid. She'd been scared and anxious, and self-conscious for bawling in front of the translator cop. And her first instinct, her only instinct, had been to talk to Mattie about it, because Mattie was safe, and Mattie would listen, and Mattie would say the right thing. And for half a second, she looked for him, actually looked, and then the glass shattered inside her mind and she remembered that he wasn't there. And he wasn't going to be there. He would never be there. She'd curled into a lonely ball of misery, and stayed in that position until she fell asleep.

But she was awake now, and she still wanted to talk. Still wanted to get the worries out there, so that someone else could inspect them and tell her not to worry about it, or, at least, give her an indication of how much she needed to worry. She padded softly over to Ximena's bed, and saw the thin metal bracelet around her wrist. Ximena was handcuffed to the bed. Why? Ximena hadn't killed anybody, as far as Cecilia knew. Were they going to do that to everyone? They hadn't handcuffed Cecilia. Not yet, anyway. But given how many crimes they were looking at charging her with, they probably would be, soon enough.

She couldn't tell if Ximena was sleeping or not. If she was, she didn't want to wake her. She kept her voice low, trying not to disturb anyone else. "Ximena... ¿Estas despierta?"
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Carrion Queen
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#28

Post by Carrion Queen »

Ximena stared straight up at the ceiling, having accepted she was chained to the bed.

For some time she considered calling Stephen over somehow, though shouting for him probably would have called more attention to herself. As they were being taken back into custody, he said it would be nice to do this again sometime. Ximena assumed the "this" meant dinner and not being taken into police custody. She imagined if she could call him over, he might be able to grow another bone file and file through the handcuff like he had though the collars. If he could do that, she thought to herself, perhaps she could then persuade him to come with her to a closet and test exactly the parameters of how rough one could be with his body before issues arose.

These licentious thoughts amused her for a little while, but soon she was back to just sort of staring up at the ceiling and being tired. She closed her eyes.

Ximena heard a few footsteps approaching her bed. She opened her eyes.

"Claro," she said. "Hace tiempo que no hablaba Español. Entonces, lo siento si mi pronunciación o gramática están equivocados," she said fluidly, as if it was a phrase she had memorized and recited many times. "Pero no te preocupes. Entiendo... todo," she said, nearly slipping into a regional tick at the end -- "todito" -- but resisting, not wanting to seem flippant.

She turned her head to look at Cecilia.

[+] May you find that which shines and learn the power of miracles
Need a translator? Soraya here! She's not looking so good, is she? Anyway:

"Of course," she said. "It's been a while that I haven't spoken in Spanish."

*Translator's note! She uses the verb form that is used for past actions that one does habitually! So the form of "spoken" here implies it was something she did regularly!

"So, I'm sorry if my pronunciation or grammar are wrong," she said fluidly, as if it was a phrase she had memorized and recited many times. "But don't worry. I understand... everything," she said.

*Translator's note! "Todito" is just a diminutive version of "todo" which means "everything." This is a regional tick that's common among Central American Spanish speakers.
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Gundham
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Joined: Sun Jan 02, 2022 12:35 pm

#29

Post by Gundham »

Cecilia couldn't explain, but even hearing a few words in Spanish made her feel comforted in a way that nothing else did. In America, English was everywhere. It was on labels and cars and billboards and shop windows, and having to take those few seconds to translate everything in her head, to try and make it all make sense, left her constantly feeling like she was a half-step behind everyone and everything around her. Hearing words and phrases that she could just know and understand without having to run it through a mental filter first... it felt, mentally, like slipping back into your own bed after spending a long time away from it. She looked away from Ximena's gaze, feeling embarrassed.

"Está bien. Honestamente, estoy feliz de tener a alguien con quien hablar, que pueda entenderme. Inglés es... siempre una lucha para mí."

She fidgeted, unsure how to say what she wanted to say next. Alarm bells were ringing in her head, telling her not to talk to this girl. Not to trust her or tell her anything important. To forget her name and go back to her corner, alone. It was safe to be alone.

"Ximena..." she said, forcing herself to say the other girl's name out loud. "Las esposas... ¿Creen que cometiste un crimen? ¿Van a... hacerle eso a todo el mundo?"

It was a lame, and probably insensitive question to ask. But she was scared, and she needed to know.
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Carrion Queen
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#30

Post by Carrion Queen »

"Mmm," she said in understanding. "Ingles no es tan facil. Mucho gente que creció con lo no estan tan bueno," she said.

She yawned and moved to cover her mouth, but met resistance and another clanking from the handcuff.

"Hmm... pues, sería un crimen a tener mas de una esposa. Pero estoy aceptando solicitudes si estás ofreciendo," she said with a wicked smile. A moment passed and she sighed, ready to give a serious response.

"Salí del hospital, que es contra de las reglas. También, dicen que tengo una mala actitud. No creo que van a hacer esto a todo -- a menos que tratas a salir."

[+] May you find that which shines and learn the power of miracles.
Soraya here again to help out!

"English isn't that easy. A lot of people that grew up with it aren't even that good."

"Hmm... well, it would be a crime to have more than one wife. But I'm taking applications if you're offering."

*Translator's note! This is a flirtatious pun. Cecilia has asked Ximena why she's got handcuffs and if it's because she's committed a crime. In Spanish handcuff is "esposas" but the word for wife is "esposa." So the word for handcuffs can also be read as the word "wives."

"I left the hospital, which is against the rules. They also say I have a bad attitude. I don't think they're going to do this to everyone -- unless you try to leave."
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