04 Ghosts I

oneshot

The Compound consists of the upper, above ground levels of the titular structure. The outer walls of The Compound evoke brutalist architecture, being composed primarily of concrete, steel, and glass. The building itself is enormous, and box-like in shape, with two floors above ground and two floors below ground. Despite the road, parking lot, and fence surrounding The Compound all showing signs of age, the structure itself appears to be completely intact. On the roof of the structure are an enormous exhaust pipe and a very large loudspeaker, the latter of which can be heard across nearly the whole arena when it is turned on, and is nearly deafening up close.

Inside, The Compound's floors all consist of the same layout, with hallways running around the perimeter of the building surrounding its central staircase, with rooms branching outwards from these hallways and facing the outer edges of the building. During the day, the interior of The Compound is dimly lit, courtesy of the glass windows common to every outside-facing room. At night it is completely dark inside, requiring the use of a flashlight for the average person to be able to see.

Much of the furnishings of The Compound have been moved around and overturned to create cover within the rooms and hallways, but cursory examination shows the most common furnishings being cabinets, flat metallic tables, and plastic chairs. Discerning the purpose of most of The Compound's above ground rooms is difficult, but flat countertops with fume hoods above them are a frequent sight, and some rooms (primarily on the building's west side) possess beds and were seemingly designed for habitation. Shards of glass from shattered glassware and scattered, broken medical equipment is common in The Compound's rooms, but not the hallways.

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Kermit
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04 Ghosts I

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Post by Kermit »

((Astrid remained in light.))

She sat alone, in a small chair, in a small dusty room on the first floor, with her jacket off. She was poking at a piece of white gauze, wrapped tightly around her left forearm, just below her elbow. In the background, rays of sunlight beamed in through a window.

She prodded at the gauze again.

Then, she flipped her hair.

She sighed.

"Hi. Spirit Halloween mask people, or whatever you're called. If you win, and we all die here, or whatever, you should -"

She was cut off by a loud, abrupt, roaring explosion, and then a shockwave of dust kicked up and obscured her from view. The camera violently shook around for a few seconds. Eventually it stopped, and the dust settled. Astrid still sat in the exact same position she'd been in before the explosion. The window in the background was now completely blown out.

"Fucking CHRIST," she said, turning her head to the side and spitting out a wad of dusty saliva.

She turned her head forward again.

"Anyways you should make sure Yvette's completely gone. Order a microscope off Amazon or whatever. Make sure she's found peace, I guess, in case the stomping didn't work."

She sighed for a second time, and then she stood up. Then, she put on her leather jacket, and shouldered two duffelbags.

She stepped out of the room.

A few seconds passed.

"A fucking car bomb went off or whatever," she said from offscreen, her voice slowly growing closer to the camera again.

She stomped back into frame with her hands balled into fists, and then picked up the chair she'd been sitting on and hurled it out the window (which was, as the people watching the footage already knew, already completely blown out.)

((She made a new shank from window glass and some gauze.))
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [We all, we all, we all, we all know this is nothing. This is nowhere. We all, we all, we all, we all know this is nowhere. There is no one here.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
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