darkness

open, day 1

The Recesses consist of the lower, below ground levels of The Compound. Accessing The Recesses requires passing through the upper levels of the Compound itself and down its central, spiral staircase to the depths below. The Recesses are pitch black, even during the day, and the average person will need to use a flashlight to be able to see.

The rooms on the outer edges of below ground floors of The Compound contrast heavily with the ones above ground, with each being much larger and seemingly all having distinct intended purposes. Rooms vary from obstacle courses, to shooting galleries, to operating rooms, most of which have attached observation rooms with one-way glass panels. Two notable rooms consist of one full of decrepit, 70s era computers, and another that has a coal fired generator that takes up most of the room, with an exhaust pipe leading up into the ceiling and out.

Just like the above ground floors, furniture has been clearly displaced to create cover in the hallways, but only some of the furniture of the below ground floors has been moved in this way, in contrast to the above ground floors. As a result, the majority of the furniture within The Recesses remain seemingly undisturbed, though most useful items have still been removed.

THREAD LIMIT: 2

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Lilith
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Joined: Tue Aug 07, 2018 6:27 pm

#121

Post by Lilith »

Sputter.

"Hey Austin. Don't watch this. I... I love you. I've never been good at telling it to you, but I love you.

Please don't watch this.

I don't want you to see this."


Sputtering.
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MurderWeasel
Posts: 3448
Joined: Mon Aug 06, 2018 9:56 am
Team Affiliation: Jewel's Leviathans

#122

Post by MurderWeasel »

"Oh no," Yvette said to herself, quietly.

Her hands pressed against Jenelle, trying to stop the girl from flowing away. Yvette knew what blood was, of course, on an intellectual level. She'd seen it a bunch over the years, usually glowering at whoever was dripping it. She knew that it was important for people because it brought oxygen to their brains, which were what let them think. A disrupted flow or a loss of blood would make that stop happening.

She didn't know how much lost blood was too much, though. She didn't know how hard it was to stop it from draining away when the gashes were big like this. She didn't know how to help Jenelle stay.

She felt so powerless, her little fingertips protruding from the sleeves of her jacket searching for something useful to do and just dragging the fabric around to stain it deeper red. Everything was itching, like the bugs were swarming all over her, and she wanted to close her eyes and make this go away but if she did that then what would happen to Jenelle?

"We need to help her," Yvette said.

She whipped her head around to look at the other girls, but there was so much sparkling haze in their air that she couldn't quite see them beyond silhouettes.

"Do you know how to help?"
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Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#123

Post by Kermit »

"We can't."

She inhaled through her mouth, choked, and coughed out a puff of Yvette.

"Yvette, you're hurt too. I don't know how bad, I can't tell."
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
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im losing my edge
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Yonagoda
Posts: 1078
Joined: Fri May 29, 2020 6:13 pm

#124

Post by Yonagoda »

"Um... Yeah. Jenelle's already dead."

Nobody could survive that. It was some kind of rule, some law, of the natural human anatomy that couldn't be broken.

She knew that Yvette, too, wasn't meant to last, from the very beginning of the explosion of shrapnel and matter and dust. She wanted to cling on to that hope, she wanted to add to this, she wanted to be real. She wanted to run away and she wanted to stay.

"What she said."

"Worry for yourself," The hand puppeting her mouth said.

She rubbed the powder in between her thumb and her forefinger, chalk-like in its sensation, staining the tips of her hand. Her shirt was covered with what Yvette was made of, turning the white into a swirl of rainbows. If it were any other situation, she would've liked it, kind of- wasn't her style, still very pretty.

Melodie took a step forward, and took another step back. She wanted to put her hand against Yvette's wounds, and feel the matter seeping out, like somebody breathing in between her fingers. This was her organs, her blood, her everything. Yvette was losing herself.
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MurderWeasel
Posts: 3448
Joined: Mon Aug 06, 2018 9:56 am
Team Affiliation: Jewel's Leviathans

#125

Post by MurderWeasel »

Yvette knew, of course.

She'd known from the start that she hadn't escaped unscathed. The billows said that much, and the way her clothes hung funny, partially because of the dozens of ragged holes but more because she didn't fill them out anymore. She'd been really careful for the past few weeks, just to make sure she'd be the right size that her tank top would leave that little sliver of visible flesh, but now the bottom of her top was hanging over her skirt. She was on her knees, and that was the only reason her socks hadn't slipped off.

It wasn't that that didn't matter. It wasn't that it wasn't terrifying or distressing. But Yvette had time, and Jenelle didn't. Jenelle could be helped, and Yvette couldn't. When normal people got cut up, they went to the hospital and got bandages put on them, or they got stitches. Something could always be done. It was one of the many unfair parts of life.

"I'm fine for now," she said, and her voice felt even smaller than she was, whiny, but she squeezed her hands even tighter against Jenelle, tugging uselessly at cloth. "We have to help her. Please."

The clouds shifted and spun into nothingness all around Yvette. She tried not to think of all the things the doctors had said.
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Lilith
Posts: 1010
Joined: Tue Aug 07, 2018 6:27 pm

#126

Post by Lilith »

Her body was frozen.

Both literally and metaphorically. She couldn’t move an inch. Her body felt like it was plunged in an ice bath. Even her thoughts felt frozen like she couldn’t compute basic information.

She realized she hadn’t been breathing for a while. She hadn’t noticed it. She was too busy looking at the stars above. She wasn’t sputtering anymore. No more fountains of blood, no more incessant twitching.

She was dying. That solidified it. She closed her eyes.

There was a pop. As if to confirm what was happening to Yves, Jenelle’s head detached from her body.
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almostinhuman
Posts: 650
Joined: Sun Jul 12, 2020 7:06 pm

#127

Post by almostinhuman »

...

He knew now what dying felt like. Though really, he'd been only a partial audience to it, in after the show began and out before it even truly ended. Jenelle had been the one to get the full experience.

He felt dead either way.

He was dimly aware of the state of things around him; Melodie turning the room into an abbatoir, Yvette spraying that colorful shit she was made of everywhere, that one girl with the weird eyes looking over the scene. But his sister - what was left of her - was all he could focus on. As much as Melodie's gaze would let him, anyway.

Already his tether to her was straining. Perhaps his Gift was trying to shield him from this, or maybe it was just arbitrarily fucking with him like it always did. After all, it'd carried him right to her.

It didn't really matter. Nothing did, anymore.

He faded out without a word.


((Austin Greene continued in What a shame those two are you and me))
[+] TV3
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Austin Greene
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"I like to have contingencies, and contingencies for my contingencies."
Rachana Kumar
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Marcus "Ashe" Wilson
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Kermit
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#128

Post by Kermit »

Jenelle's head popped off, and a shockwave could be seen rippling through the particles in the air. A little bit of blood sprayed against Astrid's ankle, and she winced. Her flashlight jittered, catching a glint of spinal column on the ground.

She frowned slightly, then tilted her face up at the ceiling.

"Yvette, how do we stop it? Can we stop it? Are you, are you dying too?"
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Yonagoda
Posts: 1078
Joined: Fri May 29, 2020 6:13 pm

#129

Post by Yonagoda »

Melodie knew that heads could live several seconds after death. What were the thoughts running through Jenelle's detatched brain in those few moments? Was she looking right up at the ceiling of this vein-studded abbatoir, or at the dusty ground below? Her hair was obscuring everything, underneath the layer of dust and Yvvette. Was she full of hate to the very last milisecond? Did the neurons, as they degraded and shut down, manage a thought just as cohesive?

The edge of Jenelle's spine seemed to clink on the floor as the head slid down. She didn't know this kind of thing could be... real.

''We can't help her. People can't survive this shit. And you're dying. I know. You don't have to say that you're OK when you're literally falling apart. Let us help you.''

The stump that used to be a neck leaked out blood and spinal fluid and plasma, muscle and bone-shards displaced by the skull's impact on the floor. Melodie walked a bit closer, between Jenelle and Yvette, as if that could do anything.
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MurderWeasel
Posts: 3448
Joined: Mon Aug 06, 2018 9:56 am
Team Affiliation: Jewel's Leviathans

#130

Post by MurderWeasel »

Yvette jerked backwards, and Melodie shielded Jenelle from her view. A purple Converse sneaker stayed behind in the dust, laces no longer tight enough to keep it attached. Yvette scooted further, squeezing her eyes closed.

What the doctors said was that they didn't really know how she worked, but she could probably stop working just like everyone else. She changed shape as she got older, and they thought that would keep happening, probably, though it had slowed down. Her maximum height had increased for a long time, so they figured when she was very old it would go the other way. If she got that far.

The key phrase that stuck with her was "sufficient matter to sustain cognition," which meant that they thought that for her to exist in any meaningful way she needed a certain level of stuff to her. They weren't really sure how much. The only time she'd been small enough for it to matter was before she was born.

Astrid and Melodie were asking and telling her about her condition, but neither of them could understand. Nobody could understand, unless they could settle into her. Maybe Austin might kind of get it. She couldn't remember if he'd ever experienced an injury through her senses, and then she realized that whatever she was suffering from what had just happened to Jenelle, it would be so much worse for him, and then she realized he might not even have survived the attack on the bus.

Yvette's eyes opened again. She was scratching at herself now, fingernails running over her chest and neck, but the tickling itching wouldn't stop.

Her skin was unmarked by now. There was just less of it, and from dozens of points streams of pearlescent matter streamed and mingled and then vanished into nothing seconds later, only to be replaced by more. When she inhaled, it was like the air was sparkling water, fizzing away in her mouth and throat and nose.

"Okay," Yvette said, "okay. I'm not okay."

It was an understatement. It had never been this bad ever ibefore. She hated being small, and she was well on her way to where she'd been in seventh grade and it had only been a minute or so. But Jenelle was dead, so how could she worry about that?

"We, you can't stop this," she said. "Nothing can stop it. It just stops on its own after a while."

Or doesn't, she didn't say. She tried to hide it, to cover up, so a lot of her classmates didn't know how it worked. Her hand had vented for weeks.

She didn't answer if she was dying. She didn't know if she even had the right.

Did a fire really die when it burned the last log to ashes?
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Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#131

Post by Kermit »

“Okay.”

She was silent for a moment as she shuffled a few steps away from Jenelle and Melodie.

“Do you want me to step on you if you pass a certain point?” She quietly asked.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Yonagoda
Posts: 1078
Joined: Fri May 29, 2020 6:13 pm

#132

Post by Yonagoda »

She couldn't think of many less absurd, humiliating ways to die.
User avatar
MurderWeasel
Posts: 3448
Joined: Mon Aug 06, 2018 9:56 am
Team Affiliation: Jewel's Leviathans

#133

Post by MurderWeasel »

"When I came here, it was because I thought I heard someone say Jenelle's name," Yvette said. "I wanted to find her, because she was my friend a, a year ago, but also because..."

She looked down into the swirling clouds.

"...because I was going to ask her to, if I got too bad, to just, you know..."

She clicked her tongue against the roof her mouth and made a neat little pop.

For a long five or so seconds after that, Yvette didn't do anything. Then she stood up and walked to the point of the room furthest from where Jenelle lay.

She lost her other shoe on the way, and her socks slid down and fell off and pooled on the floor. Her bare feet squished through the meat she traversed, and it stuck to her, juices squelching between her toes as it throbbed and pulsed and sucked at her heels, and it was more real than the idea that Jenelle was just meat now too.

There might have been broken glass on the ground still, but that just didn't seem very important anymore. Yvette's skirt was only staying up because she was holding it, and she was so very conscious of how each step of hers carried her a fraction less far than its predecessor.

Finally reaching the corner, she dropped down to the ground and sat, staring at the wall. She'd left her flashlight behind, so it was mostly just dark grey and darker where her shadow blocked the spillover light from over on the other side.

"When it happens," Yvette said to the concrete, "I don't want to see it coming."

She scratched at the itching. It wasn't letting up.

"...Jenelle would say you're not a hot enough guy to step on me," she said, and laughed.
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#134

Post by Kermit »

Fourty-nine minutes passed.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Yonagoda
Posts: 1078
Joined: Fri May 29, 2020 6:13 pm

#135

Post by Yonagoda »

Fifty minutes passed.
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