A Lo Hecho, Pecho

Phase 1 (0-12 Hours)

The upper wharf comprises a network of docks suited to both to receiving the fishing ships and passenger vessels common to Cabeza del Dragón and to less industrial-scale activity; the southern pier, older and somewhat out of repair, was a popular place for land-based fishermen to cast their lines. This area is made up primarily of wooden planks, stained with years of exposure to saltwater and sea air, and footing can be somewhat treacherous on the irregular, warped boards. While there is some thought given to safety, with guardrails posted in most areas not directly keyed towards the unloading of cargo, these nevertheless feature large gaps and in some places have fallen into disrepair. Cover here is scarce; a number of barrels, crates, and collections of containers and lumber may be found around the docks, but these tend to be positioned so as not to impede the flow of work, usually to the sides of avenues of passage.
User avatar
Brackie
Posts: 866
Joined: Tue Aug 07, 2018 6:26 pm

#16

Post by Brackie »

Harland didn't even know Santiago's fucking name.

They'd gone to school together for who knew how long, really, and they'd been in the same grade for the same amount of time, but for some reason Harland was doing his weird force of quirkiness routine where he thought it was funny to act like a sociopath and not care about the names of the people around him, because oh I'm so much better than you because I don't give a shit, because I can afford to do that. Santiago knew Harland's name. Santiago knew Nathan's name. He'd be willing to be Nathan knew both of their names as well, it's not like Harland was some mysterious ghost looming over them. He existed, everyone knew Harland existed. It was hard not to when he was such a dickwad.

So it almost did him in right there and made him snap, purely based on the fact Harland had no idea what Santiago's name was, and that was just rude.

But there were more important things to focus on right now, like anything that wasn't anything Harland was saying. Nathan said he killed someone. Right now, Santiago was whatever about it, and the emotions betrayed on his face aligned with the antipathy. It's a whatever thing right now, especially compared to whatever Harland was saying.

Santiago needed to help Nathan, stitch him up. He pulled himself to his feet, stumbling a bit as the remaining drug in his system gave him the sensation of wafting through his muscles. His clothing stuck uncomfortably to his skin, still soaked in salt water, but despite this all, he walked to his bag and picked it up by the straps. The moment his sensations of discomfort and muddle passed, he strode over to Nathan with a slight increase in confidence.

"Hey," he started "it's whatever, don't worry about it."

Santiago placed his bag on the dock and started pulling things out. First, the aid kit; second, the food, mainly the water with the rations coming along for the ride; third, and most tangentially, what seemed to be his weapon. His thumb pressed against the side of a long, thin knife as he scrapped for a water bottle, being very lucky to have not cut his own finger off. He pulled it out as well. Maybe he could use it for something.

"Okay, so I'm gonna do the best with what I have, so while I figure all this stuff out, you should like...get all mentally prepared for the fact I'm stitching you back together. I know you've already had a knife in your leg, but still, just get ready."

Santiago opened the kit and started pulling out tools and liquids. Distractions were nice. There was no better distraction than slipping back into a familiar routine.
[+] Yesterday
BR: B01 - Yoshio Akamatsu: Dear friend, You are a freak. You are not wanted. You are not necessary. And you are the only one who is.
BR: G09 - Yuko Sakaki: and although the fingers slice things such as oranges and bodies, we can no longer be reasonably sure what these things are.
PV1: F03 - Chanel Martin: Giving up smoking is the easiest thing in the world.
PV1: M17 - Matthew Payne: I don't know the question, but sex is definitely an answer.
TV1: BLU2 - Anna Hitchins: I am uncomfortable with the fact this conversation isn't about me.
TV1: BLK3 - Holly Hergenroeder: Tho'th who make peatheful revolution impothible will make violent revoluthun inevitable.
Virtua: F12 - Jacqueline "Cameo" Conroy: I am not looking to escape my darkness, I am learning to correct the monster I created there.
Virtua: F20 - Ramona Shirley: Music gives a soul to the universe, wings to the mind, flight to the body and explosions to everything.
SC1: B04 - Preston Grey: We often miss opportunity because it's dressed like a cheerleader and looks like it's about to shoot you in the face.
SC1: G07 - Anna Kateridge: Laziness is the first step towards somehow finishing in 8th place.
PV2: F17 - Erin Underwood: There is no flag large enough to cover the shame of getting kicked through a tree branch.
TV2: CJ5 - Jaxon Street: Fashionable people don't necessarily fall in love with fashionable people.
SC2: G03 - Lyndi Thibodeaux: To be a good leader, you sometimes need to go down the parish path.
SC2: B20 - Jason Andrews: It's time to water down the standards which would lead to bravery.
PV3P: M05 - Santiago "Sandy" Ibarra: And so the mongoose lay with the solenodon.
PV3P: F22 - Nani Clover: Be the survivor you wish to see in the world.
PV3P: M43 - Grant Moore: In this game, American means white. Everybody else has to hyphenate.
PV3: F11 - Calista Carpenter: Doing things you hate for people you love is what it means to be family.
PV3: F13 - Oliver Davies: Many boys owe the grandeur of their games to their tremendous delusions.
TV3: SB09 - Emmett Purcell: Men, give your power to the bitches that deserve it.
TV3: BC07 - Ashanti Baker: Don't speak your mind, even if your throat shakes to speak.
INTL: O01 - Rainbow Moseki: Hide yourself in music, so when someone wants to find you, they can kill that first.
[+] Tomorrow
Cyber:
Boston Sullivan

SC:
Holly Hadaway: "Could you imagine if I never got my teeth fixed? Who'd take me seriously?"
Jason Foley: "Get on my level, scrublord."

TV Intermission:
Lara Rodriguez
Danica McIntyre
Gerard Cullen
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#17

Post by Kermit »

So, Edgy Kid's name was Nathan.

Well ok, that didn't mean Harland would stop calling hi—

Nathan dropped the bombshell. He killed a dude. Harland was staring at a murderer and the reality of the situation was just beginning to seep into his mind. Nathan fucking killed a dude. Fuck.

"Shit, dude... That's fucked..." He looked down at the ground, focusing his eyes on a patch of wood rot enveloping a portion of the board he was standing on. He knew he was just trying to avoid acknowledging the problem that Jesus fucking Christ, Nathan killed a dude, but so what? He needed to cope.

Drowny Guy began some first aid, probably. It wasn't like Harland knew anything about first aid, so he just stood back and let the other guy do the do.

"I'll uh, provide moral support..." He coughed, staring out across the open sea. He could see a few patrol boats, but other than that it was just an infinite array of blue flatness. If he weren't gonna die soon, he'd have called it pretty damn nice.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Catche Jagger
Posts: 743
Joined: Tue May 28, 2019 7:40 pm
Team Affiliation: Ben's Crabs

#18

Post by Catche Jagger »

Nathan couldn’t help but be taken aback by how clearly disinterested Sandy seemed to be in the revelation that the wannabe rockstar was, in fact, a killer. The athletic boy had just shrugged off the revelation and went right to starting to help treat Nathan’s wounds, pulling out some items from his bag. Some part of him wanted to ask if something was wrong, but he knew it would be better to not question his good fortune.

At least the rat-boy was acting how Nathan might have expected, the flippant snark fading as the reality of the situation finally dawned on him.

With a sigh, Nathan stepped closer to Sandy. “Thanks, Sandy” he spoke calmly “this really means a lot.”

Not that he’d gotten over the hump, it was time for Nathan to get to work. First things first, he’d have to make sure Sandy hadn’t lost it himself...
[+] Characters
[+] PV3 Prologue
M35-Muhammad Abbasi - "Hey, it’s okay now. We’re both in this together, right?"
Status: SAFE
PV3P: 1-2-3-4 | After: 1

M38-Nathan Kirchhoff - "Shit."
Status: ???
PV3P: 1-2-3-4
[+] TV3
ImageCK08FR04 - James Highchurch - “Okay, yeah. Exit strategy. I’ll… Yeah, I’ll think about that.”
Status: DECEASED
Memories: 1 | Sandbox: 1
TV3: 1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18-19

ImageBC05 - Gabriela Garcia-Campos - “This is how things are here, the way the show is. So I need to get over it.”
Status: DECEASED
Memories: 1 | Sandbox: 1-2-3
TV3: 1-2-3-4-5-6-7-8-9-10-11-12-13-14
[+] AUs
International
O19 - Archibald "Archie" Harper - "That’s why we’ve gotta fight the fuck back, one step at a time."
Status: DECEASED
International: 1-2-3

O11 - Jen Mara Tuiqamea (adopted from Cicada and jimmydalad)
Status: ALIVE
International: 1-2-3-4-5-6-7-8

Supers
Alan Melnyk - "What you’ve gotta do is say ‘fuck em’ and keep doing you."
Status: ALIVE
Memories: 1-2-3
Supers: 1-2-3-4-5-6-7-8-9-10-11
After: 1-2-3
[+] The Future
Second Chances
Aditi Sharma
Desiree Beck
User avatar
Brackie
Posts: 866
Joined: Tue Aug 07, 2018 6:26 pm

#19

Post by Brackie »

"It's Santiago."

This momentary diversion hadn't stopped Santiago from getting through the gear, but it was a noticable one.

"But no problem, we're all gonna need help at some point."

Help was going to be the order of the day, it seems.

Especially considering the fact that the first aid kid he had under his fingers was, in actuality, a completely different one from the one he had at home, one which was destined for regular and invested use. He used to have suturing gear. Instead, none of that was here, not even a needle and thread. He parsed through the kit again, and yep, none of it existed.

So Plan B - butterfly strips.

Tearing away the excess and bloody pant from his leg, Santiago took an antiseptic wipe and gave the open wound a once-over. The jolt in his body told him it was doing its job, so Santiago went everywhere he could. Once that was done, he took several off the butterfly closure strips included in the first aid kit and applied them as best he could. The wound looked closed, or as closed as it was ever going to be, so Santiago took a pack of sterile dressing and applied it over his handiwork.

"Okay. I think that's done. I used to actually stitching things up, not working with those strips, but you should be fine in a while as long as you don't get stabbed again or exert yourself."

Finding himself without distraction once again, Santiago turned around to Harland, keeping the gaze for a few seconds. He wanted to make something out of nothing, cause a fight now that he was no longer as prone as a beached whale. Instead, he refocus himself on cleaning up the spread of aid kit belongings currently sitting along the dock.
[+] Yesterday
BR: B01 - Yoshio Akamatsu: Dear friend, You are a freak. You are not wanted. You are not necessary. And you are the only one who is.
BR: G09 - Yuko Sakaki: and although the fingers slice things such as oranges and bodies, we can no longer be reasonably sure what these things are.
PV1: F03 - Chanel Martin: Giving up smoking is the easiest thing in the world.
PV1: M17 - Matthew Payne: I don't know the question, but sex is definitely an answer.
TV1: BLU2 - Anna Hitchins: I am uncomfortable with the fact this conversation isn't about me.
TV1: BLK3 - Holly Hergenroeder: Tho'th who make peatheful revolution impothible will make violent revoluthun inevitable.
Virtua: F12 - Jacqueline "Cameo" Conroy: I am not looking to escape my darkness, I am learning to correct the monster I created there.
Virtua: F20 - Ramona Shirley: Music gives a soul to the universe, wings to the mind, flight to the body and explosions to everything.
SC1: B04 - Preston Grey: We often miss opportunity because it's dressed like a cheerleader and looks like it's about to shoot you in the face.
SC1: G07 - Anna Kateridge: Laziness is the first step towards somehow finishing in 8th place.
PV2: F17 - Erin Underwood: There is no flag large enough to cover the shame of getting kicked through a tree branch.
TV2: CJ5 - Jaxon Street: Fashionable people don't necessarily fall in love with fashionable people.
SC2: G03 - Lyndi Thibodeaux: To be a good leader, you sometimes need to go down the parish path.
SC2: B20 - Jason Andrews: It's time to water down the standards which would lead to bravery.
PV3P: M05 - Santiago "Sandy" Ibarra: And so the mongoose lay with the solenodon.
PV3P: F22 - Nani Clover: Be the survivor you wish to see in the world.
PV3P: M43 - Grant Moore: In this game, American means white. Everybody else has to hyphenate.
PV3: F11 - Calista Carpenter: Doing things you hate for people you love is what it means to be family.
PV3: F13 - Oliver Davies: Many boys owe the grandeur of their games to their tremendous delusions.
TV3: SB09 - Emmett Purcell: Men, give your power to the bitches that deserve it.
TV3: BC07 - Ashanti Baker: Don't speak your mind, even if your throat shakes to speak.
INTL: O01 - Rainbow Moseki: Hide yourself in music, so when someone wants to find you, they can kill that first.
[+] Tomorrow
Cyber:
Boston Sullivan

SC:
Holly Hadaway: "Could you imagine if I never got my teeth fixed? Who'd take me seriously?"
Jason Foley: "Get on my level, scrublord."

TV Intermission:
Lara Rodriguez
Danica McIntyre
Gerard Cullen
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#20

Post by Kermit »

The waves sure were... wavy? Yeah, that seemed about right. Slowly moving, just kinda fwooshing over stuff. Harland felt a few droplets of water spray against his face as one of the waves he'd been watching to distract himself collided against the pier. It was nice - the kind of refreshing feeling you'd hope to feel during a hot summer day. Unfortunately, it was not the middle of summer right now, so all Harland got was a bitter, cold feeling after the initial splash.

Drowny and literally a murderer were like, talking and being all sentimental and stuff while they were patching up and Harland literally did not give a shit about any of that, so he kept staring out across the expanse. That is, until he heard Drowny say "you should be fine in a while as long as you don't get stabbed again", which caused Harland to give a subdued snort/laugh hybrid of sorts. The sheer absurdity of the statement, just like the whole thing, was enough to give him a smile. A scenario ran through Harland's head.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Brackie
Posts: 866
Joined: Tue Aug 07, 2018 6:26 pm

#21

Post by Brackie »

Without any real interruption, Santiago managed to collect his spread of first aid belongings and gather them back to his bag. Once everything was back in its rightful place, he paused. He looked around.

The three of them were on a wharf, open to the entire...island, peninsula, wherever the class had been dumped. If Santiago was going to figure things out, he needed to be in a place where there wasn't the distinct possibility of being jumped by people who saw him a mile away yet he couldn't see jack shit.

Nathan was wounded and Harland was useless. But they more than likely weren't going to hurt him, so might as well extend the invitation.

"Alright, so I'm going to find somewhere safe. You two can come with if you want. Or don't. I'm not anybody's parent anymore."

And with that, Santiago began to walk off down the wharf. If fate were cruel to him, or forces of karma were headed his way, he'd step his foot on a weak plank and sever his leg as it went through. But he made it to the end without incident, and at some point his feet met dry land.

But even with the dirt under his shoes, Santiago's every step felt just as uneven and dangerous as they had on the docks.

((Santiago Ibarra continued elsewhere))
[+] Yesterday
BR: B01 - Yoshio Akamatsu: Dear friend, You are a freak. You are not wanted. You are not necessary. And you are the only one who is.
BR: G09 - Yuko Sakaki: and although the fingers slice things such as oranges and bodies, we can no longer be reasonably sure what these things are.
PV1: F03 - Chanel Martin: Giving up smoking is the easiest thing in the world.
PV1: M17 - Matthew Payne: I don't know the question, but sex is definitely an answer.
TV1: BLU2 - Anna Hitchins: I am uncomfortable with the fact this conversation isn't about me.
TV1: BLK3 - Holly Hergenroeder: Tho'th who make peatheful revolution impothible will make violent revoluthun inevitable.
Virtua: F12 - Jacqueline "Cameo" Conroy: I am not looking to escape my darkness, I am learning to correct the monster I created there.
Virtua: F20 - Ramona Shirley: Music gives a soul to the universe, wings to the mind, flight to the body and explosions to everything.
SC1: B04 - Preston Grey: We often miss opportunity because it's dressed like a cheerleader and looks like it's about to shoot you in the face.
SC1: G07 - Anna Kateridge: Laziness is the first step towards somehow finishing in 8th place.
PV2: F17 - Erin Underwood: There is no flag large enough to cover the shame of getting kicked through a tree branch.
TV2: CJ5 - Jaxon Street: Fashionable people don't necessarily fall in love with fashionable people.
SC2: G03 - Lyndi Thibodeaux: To be a good leader, you sometimes need to go down the parish path.
SC2: B20 - Jason Andrews: It's time to water down the standards which would lead to bravery.
PV3P: M05 - Santiago "Sandy" Ibarra: And so the mongoose lay with the solenodon.
PV3P: F22 - Nani Clover: Be the survivor you wish to see in the world.
PV3P: M43 - Grant Moore: In this game, American means white. Everybody else has to hyphenate.
PV3: F11 - Calista Carpenter: Doing things you hate for people you love is what it means to be family.
PV3: F13 - Oliver Davies: Many boys owe the grandeur of their games to their tremendous delusions.
TV3: SB09 - Emmett Purcell: Men, give your power to the bitches that deserve it.
TV3: BC07 - Ashanti Baker: Don't speak your mind, even if your throat shakes to speak.
INTL: O01 - Rainbow Moseki: Hide yourself in music, so when someone wants to find you, they can kill that first.
[+] Tomorrow
Cyber:
Boston Sullivan

SC:
Holly Hadaway: "Could you imagine if I never got my teeth fixed? Who'd take me seriously?"
Jason Foley: "Get on my level, scrublord."

TV Intermission:
Lara Rodriguez
Danica McIntyre
Gerard Cullen
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#22

Post by Kermit »

Harland plinked away at the koosh ball. He liked the "Bink!" sound it made. It was kinda sorta like a guitar, except shittier and goofy looking.

Drowny was giving some speech, like "Hurr hurr I'm leaving you can come but you don't have to blah blah I'm not anyone's daddy no more huuuuuuu," and it was like, Christ dude, stop being so melodramatic 'n whiny boohoo.

Wait a sec... "not anyone's parent anymore"? Was... was Drowny a baby daddy? Oooh, that'd make a good opportunity for being mean to Drowny if he got bitchy again.

Fuck wait where did Drowny go? Harland had been too consumed in his own thoughts to notice him fuck off. After glancing around for a moment, he spotted him near the end of the pier.

"Uh... hey wait the fuck up, dickhead!" Harland hollered.

He looked down at literal murderer. "I'll race ya'."

He began chasing off after Drowny, a grin plastered on his face.

((Harland continued in Aché))
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
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