Kill our friends? Sounds stressful and we're busy!

While most of the island's coastline is either overgrown or sheer cliff face, in this spot on the southern end the slope to the sea turns gentle and an expanse of picturesque, sandy beach may be found, littered with sea shells and driftwood. At the end of the beach further from habitation is a rocky reef, much more treacherous than its surroundings.

Moderator: BRAU2 Director

User avatar
Gundham
Posts: 262
Joined: Sun Jan 02, 2022 12:35 pm

#31

Post by Gundham »

Kick it over? Just... give up his weapon? Fine. Whatever. He'd be doomed without a weapon, he'd be doomed if he just stood there refusing to give it up. Either way, he was going to be in trouble.

It was ironic, but he would have been fine if he had just been more heartless. If he had just committed to shooting Kaori and leaving her there to die, if he hadn't hesitated and dithered around, he would have been fine. But he couldn't just turn off his humanity, even when he really wanted to. He'd done something unforgivable, and he'd just immediately backtracked and tried to take it back, and now Kaori was dead and he was screwed, and everybody was worse off. There was probably a moral in all of this, but damned if he knew what it was.

"Fine."

He nudged the crossbow towards where he imagined Yukiko would be - that'd mean that Yumiko was the one who had the gun on him. He didn't know anything about Yumiko, so this information did nothing to tell him how likely he was to get his brains blown out here - but didn't manage to kick it very far. He couldn't see it anymore, and he wasn't about to turn his head and risk getting shot for being threatening. He kept his hands raised, and took a step forward to put some distance between himself and the weapon.

"I... I didn't mean to kill her. She snuck up on me and I panicked."

"I... I just... panicked."
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#32

Post by Kermit »

Yumiko heard the ruffling of foliage behind her, presumably Yukiko. She was sorry she had to see all this. But... she was proud of Yukiko for being brave. She must have been so scared. Yumiko was scared too, of course, but she was taking it on herself to be brave for Yukiko.

She watched as the boy bumped the crossbow backwards in their direction. He said he didn't mean to kill the girl he'd shot, that he panicked. Yumiko... Yumiko believed him. Or, well, she really wanted to. She would have under normal circumstances. But right now, she really didn't know. In the end she supposed it didn't really matter why he'd done it, because either way he'd shot at someone without any regard for their life. Same deal as with whoever had shot back at the clinic.

Her aim at the back of the boy's head didn't waver.

"Good." She said firmly.

She was silent for a second, trying to figure out what to do now.

...

Oh, maybe that would work.

"...Now I need you to drop your bag too. And your arrows, if they're not in the bag. And then, take her bag," she said, referring to the maybe dead girl, "and run. And keep running. If you don't, we'll know, and we'll find you and kill you." She said.

She sounded scary!
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Ohm
Posts: 672
Joined: Tue Aug 07, 2018 7:25 pm
Location: Whoosh

#33

Post by Ohm »

She stood silent, staring, waiting to see if Yumiko was going to do something to the boy standing across who she could barely see. He was not the one taking her eye, though that would be Kaori lying on the ground, an arrow driven into her.

Darkness can obscure many things, but the stillness? The silence? If it weren't for the two talking at each other, all Yukiko would hear is the unrelenting wind of the night and her own shivering breath in its menace.

Yumiko was threatening him; death was certain if he crossed them, that sort of thing. Yukiko had never heard her say such things before, and hearing it now... it was not pleasant. They had control, sure, but the words themselves and their meaning were things that Yukiko never expected them to use, to need to use it.

All the while her eyes kept track of the body, as if it would move away from its spot if she didn't keep looking. She had heard things and been afraid in this place, but now she could see evil that it frankly was.

There was something on the ground that wasn't Kaori...

Yukiko; with a trepid look over to her friend before taking steps towards the object with her arms dangling at her sides, walking as fast as she could. She quickly knelt down, picked up the crossbow with her left hand, and stepped back.
User avatar
Gundham
Posts: 262
Joined: Sun Jan 02, 2022 12:35 pm

#34

Post by Gundham »

"Fine... Fine."

Tadakatsu dropped the bag, listening to it thud against the ground. They were... actually giving him a chance? It seemed too good to be true. But he might as well go for it. If they were gonna shoot him, it didn't matter what else he did.

"I'm... I'm going now. Don't shoot."

He ran over to Kaori, scooped up the bag, nearly fumbling it, and then he ran for his life.

((Tadaktasu Hatagami continued elsewhere))
User avatar
Ohm
Posts: 672
Joined: Tue Aug 07, 2018 7:25 pm
Location: Whoosh

#35

Post by Ohm »

The boy left; in a hurry with ever-distancing footsteps, taking Kaori's bag with him. Outside of that, it was just them and the wind on the beach, and she would say like earlier, but that would be a lie. Kaori was dead, someone in front of her was now a murderer, and her best friend, the one person in this place, that she knew that she could trust had just threatened someone. It was a murderer, yes, but it was something she never knew Yumiko had it in her to say to someone and the means to do something about it.

And it was the most frightening about this whole experience.

She walked forward towards the bag he had left behind. It was a hesitant walk considering it had to go past Kaori to get to it, but Yukiko tried not to dwell on the corpse near her, even if it was so hard not to, and the cover of darkness could not conceal the crime. That's why she tried to be as fast as she could, kneeling down to get the bag left behind, snatching the strap and hauling it over her shoulder.

She was starting to look like an armory: crossbow, tracker, two bags. Not exactly the image she wanted to present to people, but they would deal with that later; Yukiko marched back to Yumiko and started to step past her.

She made a brief stop in her stride.

"Yumiko... I don't want to be here anymore. Let's go." There was more she wanted to say, more she wanted to ask of her friend with answers Yukiko was afraid of, but she bit her tongue and left it at that.

She continued her walk past that, this place had seemed peaceful at first, but like the woods, the program caught them again, was there anywhere truly safe here?

((Yukiko Kitano continued elsewhere))
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#36

Post by Kermit »

...Oh gosh, she'd pretty much just robbed that boy, hadn't she? Her parents would have been so disappointed in her if they'd known.

Well... whoops? She really hadn't meant to, honest. The boy had needed to be disarmed and that'd just sort of been what had made the most sense at the -

- The girl on the ground was dead. Yumiko could tell by the way she hadn't moved when the boy took her bag. She'd never seen someone die before. It was really really scary and sad. She felt like she was osmosing all of that pain into herself. She -

- she didn't know what to do. She wanted to be a stronger person. She wanted to be someone like Shuya. But she didn't know what to do.

Everybody was going to die and it was just so... sad. It was just really sad. She didn't know.

"Yumiko... I don't want to be here anymore. Let's go."

Yumiko took a quiet breath in.

"...Okay." She muttered. "Okay. Yes, I agree. Let's... let's go."

She took another quiet breath in as Yukiko began to leave.

((Then, she silently followed along behind her, staring down at the ground.))
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
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