darkness

open, day 1

The Recesses consist of the lower, below ground levels of The Compound. Accessing The Recesses requires passing through the upper levels of the Compound itself and down its central, spiral staircase to the depths below. The Recesses are pitch black, even during the day, and the average person will need to use a flashlight to be able to see.

The rooms on the outer edges of below ground floors of The Compound contrast heavily with the ones above ground, with each being much larger and seemingly all having distinct intended purposes. Rooms vary from obstacle courses, to shooting galleries, to operating rooms, most of which have attached observation rooms with one-way glass panels. Two notable rooms consist of one full of decrepit, 70s era computers, and another that has a coal fired generator that takes up most of the room, with an exhaust pipe leading up into the ceiling and out.

Just like the above ground floors, furniture has been clearly displaced to create cover in the hallways, but only some of the furniture of the below ground floors has been moved in this way, in contrast to the above ground floors. As a result, the majority of the furniture within The Recesses remain seemingly undisturbed, though most useful items have still been removed.

THREAD LIMIT: 2

Moderator: SOTF Supers Staff

User avatar
MurderWeasel
Posts: 3442
Joined: Mon Aug 06, 2018 9:56 am
Team Affiliation: Jewel's Leviathans

#136

Post by MurderWeasel »

"...maybe I should've gone outside, I guess."

By the fifty-first minute, Yvette was well aware it was over.

She'd tried to keep things together and pretend things were normal for a little, chatting with the others like there hadn't just been a death and like they weren't doomed. She'd crisscrossed the straps of her tank top to turn it into a dress when keeping the skirt up proved untenable, then felt the hem of the fabric get closer and closer to her ankles, then held it like a towel when it got too loose to stay up. Now she was huddled in the cloth like it was the sheets on her bed. It was more for comfort than modesty; she could barely see through the rainbow cloud surrounding her, and she was so small anyways.

The collar was lying off to the side. That was nice, at least. She'd half expected it to explode, because she had one of the special ones, but they hadn't bothered. It was probably obvious enough that they didn't need to.

Yvette had thought about this moment a lot of times, and not just when she went to see the doctors. She'd imagined stepping on a really big spike, or getting stabbed, or dropping into the water so deep that she just became bubbles that would never reach the surface. She'd always kind of thought it would be in a bed at home or in some wildly beautiful and fantastic natural environment, though. What she got was a dark, dusty basement full of meat.

There were a lot of things she wished she could explain to Astrid and Melodie, but she couldn't. It was getting harder and harder to talk, because at her size she had to yell just to be understood, and she didn't like yelling. It was incredibly unfair that even her voice had to be little, especially now.

"...thanks for staying with me."

Yvette was trying to pick good last words, but it was hard to think of anything. None of this felt real. Aside from the itching, she felt like she always had. Her body was like it always was. She could hop up and run around if she wanted to, but now the distance across the room was like walking from her house to the gas station to buy a drink. She was just way down here, looking up through a cloud like the universe at the hazy forms of giants who'd never really been her peers.

At least it had been smart to move away from Jenelle. Yvette didn't need to see her up close. She didn't need to know what all went on inside a body as it shut down. She was jealous enough already.

"I hate this!" she screamed, wadding her hands into fists and slapping them against her thighs, looking up into the nothing and seeing nothing but still, improbably, being something.
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#137

Post by Kermit »

Leaning against a meatless wall a few feet away from Yvette and her puddle of clothes, Astrid stood with her arms crossed. One of her feet rested slightly in front of the other, and particulate matter shimmered off the buckles of several belts adorning her boots. She was expressionless.

Wordlessly, she stood up straight, taking a step closer to the pile of fabric. Then, she lifted her right foot up and slammed it down, grinding Yvette into the floor like a cigarette.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
MurderWeasel
Posts: 3442
Joined: Mon Aug 06, 2018 9:56 am
Team Affiliation: Jewel's Leviathans

#138

Post by MurderWeasel »

Yvette didn't see it coming. Astrid's foot came down, and there was a puff of rainbow vapor, and then there was nothing.
User avatar
Yonagoda
Posts: 1077
Joined: Fri May 29, 2020 6:13 pm

#139

Post by Yonagoda »

A loud voice, breathy and percussive in its bursts, rang out. It echoed through the walls, filling up the room, inescapable.

Melodie couldn't help but laugh. It was kind of funny. Kind of mood breaking. Absurd. Yvette's last words, her being squashed like a bug, gothy Astrid's rainbow-covered boot.

She tried to hide it. Tried to stop. And then she didn't. She laughed.

She hated herself for that.
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#140

Post by Kermit »

Astrid didn't move at all for a few moments. Eventually, after the cloud had dissipated, she tensed and untensed her fingers, bent her head down, and looked at the bottom of boot. Then, she took a step back and looked at the bed of clothes where Yvette had been sitting.

She turned her head to where Melodie was, and stared at her for a couple of seconds.

She unclenched her jaw.

"You were wrong about what it's like to kill someone. You don't feel anything when it's happening. It doesn't make you feel any different. I thought I'd let you know." She stated, turning her head away and shrugging.

Then, she grabbed her own duffelbag up off the floor, slung it over her shoulder, and began to walk the long way to the part of the room where Yvette's supplies lay near Jenelle's headless corpse. A flashlight sat next to them, still illuminating the same section of wall as when Yvette had first dropped it.

"You can have Jenelle's stuff. I'll take Yvette's. I'm not staying. If rescue ever comes, I'll let them know you're in here." She said over her shoulder, halfway to the room's exit.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
Image
im losing my edge
User avatar
Yonagoda
Posts: 1077
Joined: Fri May 29, 2020 6:13 pm

#141

Post by Yonagoda »

''Alright,'' she said, and then stopped laughing. The flesh covered walls shivered and throbbed with her.

''I don't even know what you're talking about, but good for you.''

She strutted up to Astrid, the meat trailing behind her. She picked up Jenelle's dripping, fucked up head by the hair. It swung and leaked fluid onto the floor as she walked.

''You're kind of goth,'' she said, with a shakiness that was built into her natural way of talking. ''Do you want Yvette's clothes, or can I take them?''
...


Meanwhile, in Melodie's mind!

_____

Jenelle's head: So. Is this what you wanted?

Melodie: What do you mean?

Jenelle: You know, all your edgy bullshit posturing. Your straight-up fetish for death and danger and people in despair. All that.

Melodie: Not really. I mean, like, it's just writing. It's just me thinking about how the mind could be pushed into extreme mindsets and conditions.

(Melodie raises the head up higher, to where she was staring more at the stump of the neck than Jenelle's eyes. The coagulated blood half dripped, half flaked down, onto her clothes and face, inter her mouth.)

Jenelle: Oh, come the fuck on. I know what you write. I know what you read. You're glad that I'm gone. And you hope that Astrid's as much as a freak as you are, because at least that means you won't hate yourself for it. Yoy've been writing about this death and murder shit for years. You've probably written this exact scenario before. Don't tell me that this isn't a dream come true. Don't tell me that you haven't looked at your classmates and thought about how you'd kill them when, and not if, when the men with guns and the vans came. You don't even have an excuse. You're happy with your life. You're just fucked up, no freudian bullshit trauma you like to use to justify your characters' edginess.

(Melodie frowned and threw the head with a resounding crack. It bounces off the wall and plops comically onto the ground with a noise that's somehow both hollow and a loud, meaty slap.)

Melodie: You're not real.

Jenelle: Neither are you. Neither am I. Neither is this. You're projecting your insecurities onto another constructed voice in your head, because you can't face the fact that you're a piece of shit who jokes about how you get off murdering people or whatever makes everyone the most uncomfortable. You harrassed Astrid on twitter, for fuckhs sake. It's like you wanted to be hated. Well, you do. But that's not the point.

(Melodie frowns and kicks the skull into a wall like a soccer ball.)

Melodie: At least I try to be civil. You're, like, openly a bitch all around. You liked digging your words into people and making them squirm as much as I did.

Jenelle: 'oh I'm a shitty person but at least I lie and say I'm not!' Fucking news flash, cunt:
a. you're not hiding it, like, at all. Everyone can see it.
b. lying to people about your weird gore fetish or whatever is even worse than pretending you're a cool and normal person to hang around.
c. Kill yourself.

Melodie: You know what?

Jenelle: That every time you enter a party, everyone scrambles to be at least five foot away from you because you're a creepy bitch?

Melodie: No. I'm legitimately, actually, seriously fucking glad that you're dead. You like hurting people. One of your last words is you calling Astrid a clown. You think ruining someone's day is a good hobby. And you think that you're so justified because all your victims are, like, privileged, have differing opinions from you, or are weird and gross and whatever.

Jenelle: Wrong! Wrong, wrong, wrong again! Youhre projecting. And you don't know shit about me. Never had, never will.

Melodie: Either way you're a bitch.

Jenelle: Freak.

Melodie: Cunt. Whore.

Jenelle: Enjoy fucking rotting on this desert! I think it's really fitting how you make the world around you disgusting and unbearable with your gift. It's real fucking fitting.

Melodie: Fucking enjoy rotting too!
User avatar
Kermit
Posts: 1018
Joined: Wed Aug 08, 2018 5:26 pm

#142

Post by Kermit »

Astrid shouldered Yvette's bag, and then picked up the girl's flashlight.

The light turned off.
[+] Characters or something
[+] Everett Taylor
Everett Taylor (SC2) -- Baby Kermit's first SOTF character

THREADS!

PREGAME: Baby Kermit makes an unnecessary OOC note

ISLAND:
[Baby Kermit uses unnecessary over-the-top formatting] -- [Baby Kermit kills a guy and then makes a melodramatic speech to the rest of the room] -- [Baby Kermit isn't very good at thread names] -- [Baby Kermit gets fucking murdered]
[+] Harland Strange
Harland Strange (PV2.5) -- The kind of guy who lives in a well.

THREADS!

ISLAND:
[The thread that everybody was there for] -- [To be fair to Santiago, you have to have a very high IQ to understand Rick and Morty.] -- [Harland has a Gamer moment] -- [Harland falls down] -- [Oops]
[+] Luanne Grasset
Luanne Grasset (TV3) -- Untitled (Your Cast), Barbara Kruger, 2016

THREADS!

PREGAME: ["We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. They're not-real people trying to say something. And we're real people not trying to say anything. I just like everybody and I believe in everything." - Andy Warhol]

MEMORIES: ["The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration." - Frida Kahlo]

FLOTILLA:
["Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative." - Barbara Kruger] -- ["You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes." - Andy Warhol] -- ["In the end, glorification of splendid underdogs is nothing other than the glorification of the splendid system that makes them so." - Theodor Adorno] -- ["I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level." - Barbara Kruger] -- ["I put my heart and my soul into my work, and have lost my mind in the process." - Vincent van Gogh] -- ["One eye sees, the other feels." - Paul Klee] -- ["I suppose I have a really loose interpretation of "work" because I think that just being alive is so much work at something you don't always want to do." - Andy Warhol] -- ["I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances." - Barbara Kruger] -- ["I never think that people die. They just go to department stores." - Andy Warhol] -- ["From my rotting body, flowers shall grow and I am in them and that is eternity." - Edvard Munch] -- ["I think I developed language skills to deal with threat. It's the girl thing to do-you know, instead of pulling out a gun." - Barbara Kruger] -- ["Since I was shot, everything is such a dream to me. Like I don't know whether I'm alive or whether I died. I wasn't afraid before. And having been dead once, I shouldn't feel fear. But I am afraid. I don't understand why." - Andy Warhol] -- ["'One to the other / Unos á otros' - Thus goes the world. We mock at and deceive each other. He who, yesterday, was the ball, is to-day the horseman in the ring. Fortune directs the feast, and distributes the parts according to the inconstancy of its caprice." - Francisco Goya] -- ["It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized." - Barbara Kruger] -- ["Art...has always been a polite form of terrorism." - Robert Boswell] -- ["I'm trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed." - Barbara Kruger] -- ["Death means a lot of money, honey. Death can really make you look like a star." - Andy Warhol] -- ["Our whole society is aboard the raft of the Medusa." - Jules Michelet]

ARTWORK CREDITS (Warning: technically contains spoilers i guess if you haven't read Luanne)
[+] Astrid Millar
Astrid Millar (Supers), Gift: Goth Eyes -- (Seen and Not Seen)

(TW: Astrid's story deals with themes of ableism, usually in a fairly implicit capacity.)

THREADS!

PREGAME: [STANDING ON THE SHORE, GETTING OLD. YOU LEFT ME HERE AMID THE VAPE CLOWNS.] -- [You could meet someone who’s lost like you.]

THE MUTE: ["There's a schematic for the whole Goths album between when and where I was in my youth, I mean some of them are stories but they all correlate to moments. I spent 9 months in Portland when I was 18, 19 years old and these were formative months because I was an absolute failure at living my life and I had friends who kept me alive and who saw through my hard veneer and who chose to be kind to me even though I was not worthy of their kindness, I was not. This is why when people tell me 'Hey John, you're a good guy', I say 'No, I've seen John in a lot of guises and I reject any claims to being a good guy, I see' and in Portland I had a community of people who accepted me exactly as I was and though I didn't know how to take their acceptance, and this song -- most of them are with god now -- and it's called 'Wear Black' ."]

THE COMPOUND:
[You could be anywhere on the black screen.] -- [Hand me your hand, let me look in your eyes, as my last chance to feel human begins to vaporize. Maybe it's the heat in here, maybe it's the pressure; you ought to head for the exits, the sooner the better.] -- [Don't you know people write songs about girls like you ?] -- [Tonya, you were the brightest. Yeah you rose from the ashes, and survived all the crashes, wiping the blood from your white tights.] -- [Never seen anything like that before, falling bodies tumble 'cross the floor.] -- [Take a look at these hands, you don't have to mention it. No thanks, I'm a government man.] -- [But you're waking a monster that will drive you from your hoary halls of gold, and your body will get cold. And we don't waste time with love. It's just death from above.] -- [This ain't no party, this ain't no disco. This ain't no fooling around. This ain't no Mudd Club, or C.B.G.B. I ain't got time for that now.] -- [Stay alive. Maybe spit blood at the camera. Just stay alive. Stay forever alive.] -- [And I run, and I run, and I run, and I run] -- [upon this tidal wave of, oh god oh god, young blood young blood young blood young blood -]

THE AFTERMATH:
[No one cares about the waves at the bottom of the ocean, and at the bottom of the ocean it's always blue. No one will remember 'cause nothing lasts forever, and everybody's looking for somebody to use.] -- [We are the ones who don't slow down at all, and there's nobody there to catch us when we fall.] -- [But I am just a broken machine, and I do things that I don't really mean.] -- [Come on in, we haven't slept for weeks. Drink some of this, this'll put color in your cheeks.] -- [No promise sweeter than a blood pact. Nothing harder to go through with than a vanishing act. No morning colder than the first frost. No friends closer than the ones we’ve lost. Nothing sharper than a serpent’s tooth. Nothing harder than the gospel truth. Though you repent and don sackcloth and try to make nice, you can’t cross the same river twice.] -- [???]
[+] Yumiko Kusaka
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im losing my edge
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Yonagoda
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#143

Post by Yonagoda »

Under the cover of darkness, Melodie could've done anything. Anything at all. There's Jenelle's blood between her teeth. There's her head underneath her palm.

The mass following her reached out, putting its wet, red fingers everywhere. Claiming. "I don't want to see."
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