Swish. Flick. Scratch.
They were small sounds that were easy to get lost in the loud, aggressive thumping of Speakeasy's music. The strokes of a virtual pencil, the scratch of virtual graphite against paper, they were far too minuscule to attract the attention of the rowdy crowd. Besides, their attention on something much more enticing center stage. Well, two somethings, to be exact, and they were some of the largest Kirsten had ever seen. She wasn't surprised, though. It was Thursday night at Speakeasy, and it was something they openly advertised. In fact, it was why Kirsten decided to show up, though for a much different reason than the catcalling audience.
The pencil in Kirsten's hand dipped onto her unfolded napkin, the graphite leaving behind a small, curved line. It was later joined by another, and then another, eventually forming the shape of a dangling high heel. A foot, calf, and thigh were added in quick succession, and the woman's left leg was the first completed part of the drawing. Of course, she needed to add further lines and shading, but for now, it would do.
She turned her eyes back towards the dancer, eyes examining each line and curve as they twisted and flowed with her. Kirsten watched intensely, an unusual focus present in her features. She needed to capture the motion, the grace, the beauty of this woman with each stroke of her pencil. It's what she was here for. Sure, Kirsten could draw people well, but it was always still. There were no hints of movement. Her people pictures would've felt at home in a stuffy museum for eighty year olds, not as something vibrant that pops off the page. It was about time she rectified that.
Swish. Flick. Scratch.
More movements of her pencil and a few minutes later, a torso and a right leg were added, each line capturing just a little bit more of the supple motion of the lithe performer. Kirsten smiled. Now she was getting somewhere. The posing was accurate, the shading was immaculate. She knew she shouldn't celebrate so early, considering she still needed to complete the arms and the head, but it was a victory nonetheless. She dug in her pocket for her pack of Marlboros, retrieving a cigarette from inside and lighting it up. Kirsten took a long drag, exhaling a few smoke rings. A lot of time was lost learning how to do that correctly.
Time was of the essence, though. Resting the cigarette in the ashtray, Kirsten refocused her eyes on the woman's arms and hands, noting each flex and spin, each curl and extension of her fingers. Each detail was sent from Kirsten's eyes to her brain to her fingers, the pencil copying those details onto the napkin. Soon, the arms were complete, and only the head of the dancer was needed to finish up her image.
Before that could be done, however, a break was in order. She felt a familiar ache in her hand and knew it would get worse if she kept up the pace she was doing. Folding up the napkin and placing it safely in her jacket pocket, she put her feet up on the table and decided to succumb to the noise of Speakeasy. The barrier she had put of crumbled, and the wall of sound that permeated through every corner of the establishment made its way into her ears. Sometimes it was frighteningly easy to forget that she wasn't actually at Speakeasy, and that it had no brick and mortar locations. In actuality, she was chilling in her giant room of her giant house, splayed out awkwardly on her bed in her sleeping clothes. She took a look around Speakeasy, taking note of the patrons. She saw a man with a large nose piercing hollering his lungs out, enthusiastically enjoying the show. Nearby, another man with a sleeve of tattoos and a Motörhead tank top was leaning up against the wall, not engaging with anyone near him, emitting a vague aura of perceived superiority. Yet they were not really there either. Kirsten had to wonder where they were from, what they were doing, what they were wearing in real life. She shuddered a bit. She had no idea how people could spend so much time in a fake world that it just became an extension of them.
Shaking the thought from her mind, she took a long, long drag from her cigarette. Something about it was good at calming her down when she thought too hard about what she was actually doing. Her brain backed away from existentialism for a moment. After exhausting the cigarette, she figured it was as good a time as any to finish the sketch. She needed to go to sleep, anyhow. She got back in her drawing stance. Unfolding the napkin and placing it down on the table, she got back to work.
Swish. Flick. Scratch.
A neck was created, followed by a jawline and ears in short order. It was difficult to get a proper view of the dancer's face, considering how often she was moving it around, but Kirsten had a sharp eye. First were the full lips, then the thin, short nose, then the large almond eyes. The eyebrows followed suit. Soon enough, the face was finished, as was the long, silky hair that draped over the dancer's shoulders and ran down her back.
Relaxing her posture, Kirsten leaned back, taking a good look at her completed sketch. Of course, it could still use work, but for a sketch, it certainly wasn't bad. A small smile of satisfaction graced her lips. Yeah. Yeah, this was pretty damn good, all things considered. She got to her feet, stretching out her back and trying her best to get the tension out of her shoulders. She picked up the napkin, folding it neatly and tucking it gently into her pocket. While she knew it wouldn't go back to the real world with her, it was still reassuring to take it with her.
She swiftly made her way to the exit, taking care to not bump into the raucous audience members between her and her destination. Taking a final look back towards the stage, she saw the dancer blow the crowd a kiss before disappearing backstage, prompting numerous cheers and whistles. In a few minutes, another person would be there to take her place. Turning back around, she kept walking until she was at the exit door. Pulling up the HUD, she swiped until she found the logout button, gently pressing it with her index and middle fingers. Before she knew it, the loud atmosphere of Speakeasy was gone, and she was back in her large, dark room.
She went to bed without a word, the memory of the dancer's limber motions lingering in her sleeping mind.
NEW WAVE HOOKERS
oneshot
Before the events of SOTF: Cyber, the students of Sycamore High School were just ordinary kids with ordinary lives—these are the stories of their lives before they found their tragic fates at the hands of the terrorists.
Characters may be present in one sandbox (present) or memory (past) thread at a time, in addition to supplemental oneshots or multishots.
Characters may be present in one sandbox (present) or memory (past) thread at a time, in addition to supplemental oneshots or multishots.
Moderator: SOTF: Cyber Staff
NEW WAVE HOOKERS
- [+] PRESENT
-
SECOND CHANCES V3
Mikki Swift - "With the past, I have nothing to do; nor with the future. I live now." - Ralph Waldo Emerson
Bree Jones - "The important thing is not what they think of me, but what I think of them." - Queen Victoria
Serena Waters - "You cannot make a revolution in white gloves." - Vladimir Lenin
- [+] PAST
-
BATTLE ROYALE AU V2:
[ERROR: RELATIONSHIP THREAD UNAVAILABLE.]
[ERROR: APPEARANCE TRACKER UNAVAILABLE.]
B1: Yoshio Akamatsu - "Yesterday is not ours to recover, but tomorrow is ours to win or lose.” - Lyndon B. Johnson
Assigned Weapon: Sickle
Status: DECEASED
Location: The die was cast in Farm Storage (H6) - Iacta Alea Est
Pregame History: 1
In-Game History: 1 - 2 - 3 - 4
BATTLE ROYALE AU V2:
[ERROR: RELATIONSHIP THREAD UNAVAILABLE.]
[ERROR: APPEARANCE TRACKER UNAVAILABLE.]
B7: Yoshitoki Kuninobu - "When the sword of rebellion is drawn, the sheath must be thrown away." - John Copley
Assigned Weapon: Czechoslovakian CZ 75 Semi-Automatic Pistol
Status: DECEASED
Location: He took the fall for an enemy in Residential Area (H/I8) - Peace Village: Brother's Blood
Pregame History: 1
In-Game History: 1 - 2 -
3
SOTF-SUPERS V1:
Relationship Thread
Appearance Tracker
S027: Claudia Salgado - "The optimist may fail, but the pessimist already begins failing." - Juscelino Kubitschek
Assigned Weapon: [ERROR: WEAPON UNAVAILABLE.]
Gift: Flashbang
Status: ALIVE
Location: She stared death in the face in The Outskirts - Out Run
Pregame History: 1 - 2
In-Game History: 1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9 - 10
SOTF-U V1:
Relationship Thread
[ERROR: APPEARANCE TRACKER UNAVAILABLE.]
P003: Elizabeth Rodney - ”I demolish my bridges behind me... then there is no choice but to move forward.” - Fridtjof Nansen
Assigned Weapon: Obedience to Authority + Altor Survival Pistol
Status: ALIVE
Location: She met up with her beloveds in The Powerhouse - Burning Down the House
Pregame History: 1 - 2 - 3 - 4 - 5
In-game History: 1
- [+] FUTURE
-
SOTF-TV V4:
Christian Graf von Helder - “I’ll be a big noise with all the big boys!” - Peter Gabriel
Francisco Ordaz Santander - ”I am responsible only to God and history.” - Francisco Franco
INTERMISSIONS:
Sophia Mirowski - "Be strong in the belief that life is wonderful." - Valery Sablin
Lee Iker
Stanley Mirowski - "He who fights monsters should see to it that he himself does not become a monster." - Friedrich Nietzsche
SOTF-SUPERS V2:
Kendra Kuchel - ”If we value so highly the dignity of life, how can we not also value the dignity of death? No death may be called futile.” - Yukio Mishima
Nichelle Damen - ”All our knowledge- past, present, and future- is nothing compared to what we will never know.” - Konstantin Tsiolkovsky
SOTF-INTERNATIONAL V2:
Kazimierz Krzyzewski - ”At dawn it is not just the night that dies, it is man and his becoming, and the warm blood staining the pavement is a word that is just starting.” - Ricardo Mannerini
Raqel Poghosyan
Return to “Sandbox & Memories”
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