Re: Blizzard Does Singing Now??
Posted: Thu Aug 13, 2020 2:22 am
Ooh, this batch is really nice too. I actually know the Fiona Apple original, and you did an excellent job with it! You've got really nice flow, especially with the quick-fire parts. I'm impressed at how you manage to keep your intonation so varied while singing it, and how you even managed to get the waver there.
I don't know Hozier as well, but you do a great job here too, especially keeping a song that has a lot of repetition fresh and vital. I'm amazed by just how confident you always manage to sound while singing unaccompanied, too.
You have a good mournful sound on Love Is War. It's cool hearing you take a slower, more melancholic style on this one, suitably gloomy given the content.
You get variation while still being slower on Sweater Weather. I'm blown away by how long you were able to stretch the cold/hold notes. That's a skill you can do a bunch with, especially when you're able to swing straight from it into the rest of the song without missing a beat.
The speed on My Bad Alice works well as a contrast to that! There was a little bit of ambient noise in the background of this one that also produced a cool effect, actually—almost like a faint improv accompaniment at the start.
Sweet Little Lies is quick and breezy with a dark edge, which I enjoy a lot.
The Paramore song, meanwhile, is a lot more celebratory and confident. You do a great job staying upbeat and maintaining forward momentum.
You did an awesome job here again! You're really really good.
I don't know Hozier as well, but you do a great job here too, especially keeping a song that has a lot of repetition fresh and vital. I'm amazed by just how confident you always manage to sound while singing unaccompanied, too.
You have a good mournful sound on Love Is War. It's cool hearing you take a slower, more melancholic style on this one, suitably gloomy given the content.
You get variation while still being slower on Sweater Weather. I'm blown away by how long you were able to stretch the cold/hold notes. That's a skill you can do a bunch with, especially when you're able to swing straight from it into the rest of the song without missing a beat.
The speed on My Bad Alice works well as a contrast to that! There was a little bit of ambient noise in the background of this one that also produced a cool effect, actually—almost like a faint improv accompaniment at the start.
Sweet Little Lies is quick and breezy with a dark edge, which I enjoy a lot.
The Paramore song, meanwhile, is a lot more celebratory and confident. You do a great job staying upbeat and maintaining forward momentum.
You did an awesome job here again! You're really really good.