You Should See The Other Guy

[Oneshot]

The Compound consists of the upper, above ground levels of the titular structure. The outer walls of The Compound evoke brutalist architecture, being composed primarily of concrete, steel, and glass. The building itself is enormous, and box-like in shape, with two floors above ground and two floors below ground. Despite the road, parking lot, and fence surrounding The Compound all showing signs of age, the structure itself appears to be completely intact. On the roof of the structure are an enormous exhaust pipe and a very large loudspeaker, the latter of which can be heard across nearly the whole arena when it is turned on, and is nearly deafening up close.

Inside, The Compound's floors all consist of the same layout, with hallways running around the perimeter of the building surrounding its central staircase, with rooms branching outwards from these hallways and facing the outer edges of the building. During the day, the interior of The Compound is dimly lit, courtesy of the glass windows common to every outside-facing room. At night it is completely dark inside, requiring the use of a flashlight for the average person to be able to see.

Much of the furnishings of The Compound have been moved around and overturned to create cover within the rooms and hallways, but cursory examination shows the most common furnishings being cabinets, flat metallic tables, and plastic chairs. Discerning the purpose of most of The Compound's above ground rooms is difficult, but flat countertops with fume hoods above them are a frequent sight, and some rooms (primarily on the building's west side) possess beds and were seemingly designed for habitation. Shards of glass from shattered glassware and scattered, broken medical equipment is common in The Compound's rooms, but not the hallways.

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Frozen Smoke
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You Should See The Other Guy

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Post by Frozen Smoke »

((Continued from Look But Don't Touch))

Jacob’s body shook as he gripped the edge of the sink with half a hand, fresh red specks of blood scattering over the yellow-brown stains of the gauze that filled it. He tried to keep his focus on the image in front of him. The tweezers in his left hand moved slowly, the angled points of it sliding in between the torn edges of his skin, skimming side to side as he searched for resistance. Something was there. He knew it was there. He could feel it, see it almost, a lump just above his cheekbone.

Air rushed out from between his clenched teeth as his thumb and forefinger pressed together and slowly tugged. Felt resistance. Pulled. Every action distorted his face as the piece of metal wriggled underneath his grasp, hiding between dark red welts and swollen purple patches. He could feel a shiver coming, running down the back of his neck. His wrist ached. Everything ached.

Drip. Drip. Drip.

It was incredible how something so small could be so disruptive. It was maybe the size of a staple, if that. Small pieces of glistening pink hung to its jagged, silver edges, the faint lines of crimson already running thin between the crooked valleys of it’s anodized surface.

It barely made a sound as he dropped it against the ceramic.
Image The tweezers joined it with a much more satisfying clatter.

Jacob slumped down against the wall, his head leaning forwards as he sat, filling his vision with the off-white, cracked tiles of the floor – And the scattered, useless parts of his first aid kit that were strewn on top of it. An outstretched finger rolled a bottle side to side aimlessly in front of him, his eyes glazing over the text again and again.

((Jacob Rowe continued in Paint It Black))
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