A large, flat portion of sandy desert terrain north of The Compound and the old road leading to it. The Flatlands are covered in densely packed, low-lying brush and patches of grass, giving anyone within it plenty of places to hide, but very little cover from attack.

THREAD LIMIT: 3

A large, uneven, hilly portion of rocky desert terrain east of The Compound and the old road leading to it. The Roughlands are defined by its short hills and large, hardy shrubs, providing plenty of cover to those within it, but being time consuming and energy intensive to navigate.

THREAD LIMIT: 2

An old, decaying, unmarked asphalt road running directly to The Compound and marking the divide between The Flatlands and The Roughlands. The road shows clear signs of complete, decades-long disuse and lack of maintenance, with much of it broken apart and covered up by sand and new vegetation.

THREAD LIMIT: 2

The Exterior consists of the decaying parking lot outside and directly west of The Compound. The asphalt of the parking lot is marked by wide, deep cracks, with brush having grown up through these cracks. The parking lot and The Compound itself are surrounded by a chain-link fence with barbed wire on top, though much of this fence has rusted and many sections have fallen apart. A small, abandoned checkpoint consisting of a gate and a guard house exists at the entrance to the parking lot, with the gate having been left wide open.

THREAD LIMIT: 1

The Compound consists of the upper, above ground levels of the titular structure. The outer walls of The Compound evoke brutalist architecture, being composed primarily of concrete, steel, and glass. The building itself is enormous, and box-like in shape, with two floors above ground and two floors below ground. Despite the road, parking lot, and fence surrounding The Compound all showing signs of age, the structure itself appears to be completely intact. On the roof of the structure are an enormous exhaust pipe and a very large loudspeaker, the latter of which can be heard across nearly the whole arena when it is turned on, and is nearly deafening up close.

Inside, The Compound's floors all consist of the same layout, with hallways running around the perimeter of the building surrounding its central staircase, with rooms branching outwards from these hallways and facing the outer edges of the building. During the day, the interior of The Compound is dimly lit, courtesy of the glass windows common to every outside-facing room. At night it is completely dark inside, requiring the use of a flashlight for the average person to be able to see.

Much of the furnishings of The Compound have been moved around and overturned to create cover within the rooms and hallways, but cursory examination shows the most common furnishings being cabinets, flat metallic tables, and plastic chairs. Discerning the purpose of most of The Compound's above ground rooms is difficult, but flat countertops with fume hoods above them are a frequent sight, and some rooms (primarily on the building's west side) possess beds and were seemingly designed for habitation. Shards of glass from shattered glassware and scattered, broken medical equipment is common in The Compound's rooms, but not the hallways.

THREAD LIMIT: 2

The Recesses consist of the lower, below ground levels of The Compound. Accessing The Recesses requires passing through the upper levels of the Compound itself and down its central, spiral staircase to the depths below. The Recesses are pitch black, even during the day, and the average person will need to use a flashlight to be able to see.

The rooms on the outer edges of below ground floors of The Compound contrast heavily with the ones above ground, with each being much larger and seemingly all having distinct intended purposes. Rooms vary from obstacle courses, to shooting galleries, to operating rooms, most of which have attached observation rooms with one-way glass panels. Two notable rooms consist of one full of decrepit, 70s era computers, and another that has a coal fired generator that takes up most of the room, with an exhaust pipe leading up into the ceiling and out.

Just like the above ground floors, furniture has been clearly displaced to create cover in the hallways, but only some of the furniture of the below ground floors has been moved in this way, in contrast to the above ground floors. As a result, the majority of the furniture within The Recesses remain seemingly undisturbed, though most useful items have still been removed.

THREAD LIMIT: 2

The wilderness of The Great Basin Desert outside of the arena, with the whole rest of the world on the other side. This area is off-limits under pain of death, so venture into it at your own risk.